BURCANGIJO

1. Download Android SDK tools here and install it on your computer . It is important to run ADB commands.

 The Nollywood actor who as the alias Mr packaging shared new pics in a dazzling ensemble..More below

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Aragami adalah sebuah game bertema ninja yang dikembangkan oleh lince works yang dimana Aragami adalah seorang ninja yang sudah mati namun menjadi mayat hidup yang memiliki kekuatan supranatural yaitu mampu memanipulasi kegelapan dan menggunakan kekuatan bayangan untuk mengalahkan musuh-musuhnya demi menyelamatkan seorang wanita bernama Yamiko yang memiliki hubungan dengannya dimasa lalu.
Game Aragami bisa dikatakan merupakan game yang terinspirasi dari salah satu game populer yaitu Tenchu yang dimana awalnya game ini berjudul Twin Souls: The Path of Shadows, namun kemudian dirubah menjadi Aragami.
Untuk sahabat haramain software yang menyukai game yang bertemakan ninja, maka game Aragami merupakan salah satu yang patut dicoba karena selain seru untuk dimainkan, visual yang diberikan game ini juga benar-benar sangat bagus.
Jika sahabat haramain software penasaran dengan tampilan dari game Aragami CODEX For PC, silahkan sahabat HS bisa melihat sedikit tampilannya pada screenshot dibawah ini, dan bagi yang ingin mendownlod pastikan PC yang digunakan memenuhi system requirements game Aragami.

Screenshot :

Aragami System Requirements :

• OS: Windows 7/8.1/10 (64-bit versions)
• Processor: Intel Core i3
• Memory: 4 GB RAM
• Graphics: DirectX 11 compatible graphics card (at least 1024 Mb of VRAM).
• DirectX: Version 11
• Storage: 6 GB available space
• Sound Card: Integrated audio interface
• Additional Notes: Required: Keyboard and
• Mouse with Secondary click enabled or gamepad (such as PS3 controller, Xbox 360 controller for Windows or Logitech gamepads).

Cara Install :

1. Download dan ekstrak
2. Mount file Iso menggunakan PowerISO atau Daemon Tools
3. Jalankan setup.exe dan install sampai selesai
4. Copy cracknya yang ada didalam CODEX dan pastekan di direktory tempat gamenya terinstall
5. Mainkan dan selamat bermain

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Dozens of high-flying trainee Russian spies have been banished to the Siberian wilderness after taking part in indecent graduation that compromised their identities.

The newly minted agents hired dozens of black Mercedes jeeps which they drove through the Russian capitals streets last month, blocking traffic, honking their horns, and hanging out the windows filming each other on their mobile phones.

They also organised a group photograph, which showed some of the young men clutching champagne flutes. The photograph found its way onto the internet along with video footage of the convoy.


They were given the choice of quitting the countrys elite security service or being stationed in Chukotka or Kamchatka, and almost all of them picked the second option.

The shocking spectacle was denounced by veteran Cold War spies, and plainly infuriated Vladimir Putin, himself an ex-KGB secret serviceman who served undercover in East Germany.

Now, three weeks after the event, spy chiefs in Moscow have acted against the guilty persons demanding that they either quit their FSB - Federal Security Service - careers altogether, or be banished to Russias remotest regions to serve as a punishment for their excesses.
The FSB was once headed by Putin, who declined to comment on the Mercedes showboating at the time but the Kremlin publicly demanded that the services leadership should deal with the scandal.

The main part of FSB Academy graduates who took part in the ride of Gelandewagen cars were sent to serve in Chukotka and Kamchatka detachments, reported Life.ru commenting on the results of an investigation.

The graduates were offered either to agree and to go to these remote regions near the border, or to resign.

Daily Mail

I have just finished Nicholas Lovell’s excellent book, The Curve.  He looks at business in the post digital world and suggests that the digital world has reduced the value of many products to close to zero.  This means companies are forced to find ways of offering additional benefits or services at vastly varying price points in order to succeed.

Welcome to “The Curve”.

Put simply, the Curve plots users (x axis) against the amount they are willing to spend (y axis).  There are many people who will not pay anything (Lovell calls them ’freeloaders’) and a few who will pay a lot for a particular experience (‘superfans’).  In the Curve, the majority of profits are made by the few superfans and moving people from freeloaders to superfans is the key to success.

The the key to the Curve is creating wide awareness of your product and generating a stable fan base by giving away good quality digital products for free.  This base of ‘freeloaders’ can then be used to reach the 10% of ‘superfans’ who will pay, in some cases substantially more, for a premium version of the product or an associated service.

Welcome to the Curve

In Lovell’s view, “the real threat is not piracy; it is competition… The challenge of the twenty-first century is this: sharing is easy but finding an audience is hard.”  In his view, “the long battle to fight free content will prove to be pointless… not because the pirates will win but because the competition will start to discover how to use free more effectively.”

In the Curve world, piracy is simply a marketing opportunity.   He proposes three linked strategies for building a business in the digital age:

1. use the web to find customers; 
2. use data analytics to find the best customers; and 
3. offer those customers a wide range of value add ons at different price points. 

It may not surprise readers to learn that Lovell’s background is in games.  He runs the successful and respected GAMESbrief blog and is well known as a consultant to the gaming community.  The freemium model has been hugely successful for the games industry, particularly mobile apps.  The gaming world has made a fairly successful transition to free but piracy is still a problem even in app land for precisely the reason Lovell identifies…

3D print your own lemon squeezer?

Clone games split an audience and dilute the number of fans.  Even if your game is free, there is a risk of losing out to another free game which has copied you.  Lovell would probably say that this is a competition rather than a privacy risk but in this case the two are interlinked.  One competitor is making a huge leap over the other by not having to invest the time and effort in creating an original app.   This is a particular issue where the name is so similar that users are clearly confused into downloading the wrong game.

Although the Curve is more relevant to digital products, Lovell does dedicate a chapter to “Make it Yourself”.  As he points out, in the future, what is “digital” will be less certain as 3D printing becomes a more developed technology.  This is nt just a question of Alessi lemon squeezers and Tiffany jewellery (the two examples cited in the book).  For example, printing metal logos, clasps and other distinctive design features and adding them to leather bags, purses etc may become so easy that it is something users can do in the privacy of their own home.

Customising trade marks in a way that looks professional may become commonplace sowing confusion across the marketplace.
There are more barriers protecting the physical world but counting on these barriers always being there may be a mistake and a Curve plus anti counterfeiting policy should offer the best opportunities for success.  Getting ahead of the problem with a strategy to embrace 3D printing is one solution which has been successfully adopted by the likes of Nike.

Lovell convinced me of the value of a curve strategy and that piracy, in some circumstances, can help to create new customers.  However, I remain unconvinced that piracy is not a problem. (Perhaps this is unsurprising given my vocation!)

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